Saturday, December 25, 2010

Celebrate!

Dearest Friends,

I hope y’all are doing well, and if you’re amongst family, they’re being kind to you. I'm really thankful to know you, and hope you know I'm thinking of you.

My mother is a pretty hardcore Lutheran, while my father was raised atheist, leaving me a mish-mosh version of Christianity. My old scripture book covered Christmas like this:

“Christmas isn’t only celebrating Jesus Christ, our Lord and Savior, but the birth of every child. Children of all sizes and races and ages, from a few minutes old, to a whole 90 years present. Children of one, two or many parents; children across the world. Let us take this moment to celebrate the God’s birth within us all.”

While I’m not sure how you think about God, or Jesus, or other messiahs, I think it’s a good day to celebrate children, of all ages.


Love, kisses, and best wishes for a new year,
Aries

PS: The dolls in the photo are Norwegian elves. They are not my parents.


Friday, December 17, 2010

Steam Heat

Warning: Very honest, all names changed to protect privacy.

As a child, I was afraid of heat. Hot showers, steam rooms, saunas -- any confined space with steam and near-scalding water made me nauseous. The instant I started to sweat, boiling bile rose from my belly.

It’s different now. Now, I believe in heat. I love running in the summer, I love laying the sun. I enjoy the suffocating humidity of August in New York, I adore the burning of too-hot miso soup. I delight in sweat. I love dancing so furiously that I am coated with sweat; I love embracing a dance partner and sharing that heat. I love feeling my heart race, and the drip of water sliding down my forehead. I love the taste of salt.

What changed, I wondered. I poked at that childhood fear, teased it, tickled it. Why did I feel vertigo on tile floors?

And then, I saw her face. She was a beautiful woman, with oil-black hair, her features handsome, voice proud. She is an artist, and I see her licking her lips, clutching at water, grasping at cold, desperate hope.

Beautiful Norma, the main character in The Midnight Sun, a classic episode of the Twilight Zone.

I had watched Norma die.

Tuesday, December 14, 2010

Changeling

“I’d like a pizza for three. With, um, pepperoni. And sausage. Italian sausage. Not chicken sausage.” the man says slowly. “Yeah, in a box.”

He looks as if he’s going to cry any second.

I nod, but before putting it in the machine, or stop myself, I blurt out, “Are you alright, sir?”

He bites his lip. “Yeah,” he says.

“Can I get you something to drink, sir? Just for while, you know, while you wait?”

“Um. Not yet?” As he signs the bill, his hands are shaking. He speaks in curt phrases, separated by just-a-half-beat-too-long pauses. He’s sweating profusely.

“No hurry, sir. It’ll be ready in about 15 minutes, sir. Would you like to wait here?”

“No, no. I’ll go and come back. Actually-” His face draws in even more, his eyebrows curling in. “Could you hold it? My wife is at the doctor’s office. I don’t know how long it will take.”

Friday, December 10, 2010

station identification

Name:
Aries Skarveland Indenbaum

Present location:
Adam's apartment, near Case Western Reserve, Cleveland.

Present occupation:
Intern for Network for a New Culture, based out of Arlington, VA. I'm setting up an internship program there, and working a number of communications projects. They're aiming to set up a happier, emotionally healthier world.(*)

Affiliations:
Individuals at Oberlin College; Catholic Worker Community of Cleveland, OH.

Current fascinations:
Cleveland's history and public transit system, dance, music.

Today's plans:
See Adam's concert at 2:00, go to Catholic Worker House to help prepare dinner from West Side Market, go to the Storefront, go back to Oberlin for blues dancing and friends-malingering.

Why?
To explore.


* NFNC seeks to build a sustainable, violence-free culture through exploring intimacy, personal growth, transparency, radical honesty, equality, compassion, sexual freedom, and the power of community.

Thursday, December 9, 2010

Twin Oaks Exit Letter

After your stay at Twin Oaks, visitors post an Exit Letter to the O+I board (a message board in the dining hall, a place of snark and critical thought). For many, it's a tool to describe how they would act as a member. Here's mine.


Dearest Twin Oaks,

I’ve had a glorious time. It’s been an incredible privilege to visit here, and I feel blessed by the connections I’ve made.

MEMBERSHIP (Not quite yet.)
As I’m not applying for membership, I feel compelled to explain why. Primarily, I’m not ready. I have many commitments and relationships in the mainstream world that I must maintain. I have partners and friends whom I love… who live far from here. Membership at Twin Oaks would mute those bonds.

Living within a Community is deeply exciting to me – I’m one of the Oberlin people who think all meals should be cooked for a hundred people. However, the insularity at Twin Oaks is not one I resonate with. It seems very difficult to build outside friendships while living on the farm. While I respect that choice, I think it would dampen my ability to have a sense of scope or context.

WORK (I like it.)
As a visitor, my work made a deep impression… into my clothes.

Items that have stained my pants: mud, dirt, gravel, sawdust, ironweed, confusion, soap, broccoli, caterpillars that used to be in the broccoli, okara, mildew, sweat, ashes, canola oil, gratitude, fine Virginia red clay, and leaves.

I enjoyed the culture of work here, and the labor system is one I took a lot of enjoyment from. I love social jobs in which I learn, and was able to do many of them here. I deeply enjoyed all of the orientations, and felt grateful for the time put into them. I will try to pass on this information as best I can.

SOCIAL NORMS (Wildly ambivalent.)
To be frank, I don’t jive well with many of the social norms. I’m loud, extroverted, and demonstrative, and lived in small town Ohio for 5 years. I’m used to very different levels of friendliness. I’ve been socialized to greet everyone I meet, regardless of how many times I’ve seen them that day, or what particular social issues might exist between us. It’s always a pleasure to see them and know them. I’ve lived in communities with as much emotional intimacy and relationship shenanigans as Twin Oaks… in which there’s much more visible warmth.

That said, I feel genuine adoration for nearly everyone here.

GENERALLY (I love it.)
In my brief time here, Twin Oaks fostered a sense of gratitude in me. Twin Oaks inspires me to be more honest, both with others and myself. I learned a tremendous amount from any member who felt comfortable speaking with me, and truly value the connections I’ve made here.

I don’t think this is my last time here, as this is a lifestyle I find honorable. I felt truly grateful to spend Thanksgiving here, and would be excited to return.


CONTACT
If you’re so inclined, I’ll be in DC in January, then Cleveland in February and onwards. If you find yourself floating towards northeast Ohio, please don’t hesitate to drop me a line. I love hosting others and would love to pass the generosity I’ve encountered here onwards.

Thank you for your kindness.

Love,
Aries

Sunday, November 28, 2010

Thanksgiving with Four Part Harmony and Feeling

“Before we get covered in mildew, I suggest we go get pancakes. All in favor?”

Kayte and I raised our hands quickly.

“Settled!” Rayne announced, and we bounded away from the tofu factory for fresh pancakes.

Thanksgiving started out golden, with vegan pancakes stuffed with chocolate and banana. After breakfast, we returned to the tofu hut, suited up, and attacked the strange molds that feast on soy.

While I’m happy that Twin Oaks has a tofu factory, working there is not my favorite task. When tofu is being processed, the factory is loud and muggy, with a hint of okara in the air. On my first tofu shift, I had a low level panic attack for 2 hours. Being around large garbage buckets of very, very hot water makes me very uncomfortable. Having to reach into the buckets is similarly troubling, even though the green elbow-length gloves we wear are incredibly sturdy.

Friday, November 12, 2010

Visiting Twin Oaks

"Are you new in town?”

“I’m visiting Twin Oaks, out by Louisa.”

“Twin Oaks? What’s that?”

[I don’t say: “Ah, it’s an egalitarian income-sharing intentional community based in principles of non-violence, sustainability, cooperation, and equality.”]

I generally say: “It’s a community where people live and work together.”

“Huh. Are you moving here?”

“Nope,” I say. “I’m just here to learn.”

And I’m learning a huge amount, every day.

Describing Twin Oaks is difficult, much like trying to describe an entire country.

Try to do it. Say, with Belgium.

Personally, I would be flummoxed, and start screaming, “Waffles! European Union! Diamonds! Problematic imperialistic past! Dutch, Flemish, French, Walloons! Lovely buildings! Ardennes! The Congo! Tintin, Magritte, and Rubens! Brave little Belgium! Chocolate!”

It's hard to sum up a whole county.

The rules at Twin Oaks (called “norms”) are different from real-world conventions. There is a consciousness here, a mindfulness, that subtly spices every conversation: like a thin hint of cilantro, or a splash of lime. Twin Oaks has more flavor than the bread of the real world.

In many ways, Twin Oaks reminds me of communities in science fiction novels – the Fremen in Dune, their eye-whites turned blue under the influence of the spice, or the polyglot families in Ursula K. Le Guin novels. The effect is unsurprising: Twin Oaks was inspired from Walden 2.0, a novel by BF Skinner that mimics a recipe for the ideal Utopian community.

“Is it Utopia yet?”

“Nah, but you can see it from here.”

There are 92 people at Twin Oaks right now, with 12 children and 2 on the way. They are all different, but very kind. Very, very kind. Many are passionate about a specific cause – peak oil, gay rights, egalitarian consciousness, literature, print-making. Some are more devoted to just living simply without the annoyances of the “normal” world, free from taxes to traffic. Some are delighted to raise their children in a safe community, to make friends with all around them. Some enjoy living in community, without loneliness or isolation. Some want to practice what they preach – to be as truly sustainable as they can, to live an austere life, and to raise the food that they eat.

It smells so good here, with just that splash of lime.

For the past few days, I’ve been working very hard. As a visitor, I don’t really have the time here to learn the more complex skills -- cheese making, automotive repair, or animal husbandry -- but I’ve got the strong back to get any shoveling job done. I can rake and dig and clean. I can raise flowerbeds, plant garlic and daffodils, and saw wood apart. The members give us orientations on everything from Membership to Child-care. I can learn how the community works.

But the biggest type of learning is meeting all these people, hearing their passions, and learning how they all live together.

In DC, the city of networking, I felt as if my random conversations were always closed, as if I was trying to tease open the drawers of a very tightly-clenched bureau. Inside were fascinating clothes, but all shut up. Here, each conversation is a huge hallway of doors, all leading to different communities, different lifestyles, different countries. To Utah, to Germany, to England. Each day, there are more welcome mats in front of the doors.

I’m going to start opening doors soon. And soon, I’ll start making my own.


PS: (I love it here.)

Thursday, November 4, 2010

In Contact

THE PLAN

In the process of becoming a Real Adult, I need to determine my priorities, needs, and goals. The basics of housing, employment, and community are key, but I’ll be searching out the answers to questions like:

- What field should I dedicate my attentions to?
- How does one live a sustainable life?
- Is writing a viable path?
- How can one live an adventurous life that involves community-building and intellectual growth?
- Should I go to graduate school?

As these questions require research, I won’t be very stationary for the next while. I’ll be on the move, trying to learn as much as possible.

To get in touch with me:

1. Text
2. Call
3. Email (aries.indenbaum@gmail.com)
4. Facebook (http://www.facebook.com/iAries)
5. Carrier pigeon / abnormally attentive rat (subway, window, alleyway)

To hear about my adventures:

1. Twitter (http://twitter.com/iAries)
2. Blogging
a. livejournal, mostly locked entries (http://soullessthinker.livejournal.com/)
b. facebook, friend-locked entries (http://www.facebook.com/iAries)
c. public blog (http://go-aries-go.blogspot.com/)




Here is my life-plan:

Until Wednesday Night: Oberlin, Ohio.
(John’s birthday is November 1st. And I am a romantic.)

Until Friday morning: Washington, DC
(I am back for a day! It will be déjà vu a l’høver agaîn.)

Until December: Twin Oaks, Virginia
(An intentional community that will teach me about sustainable communal living!)

December 3-5: Washington, DC
(Bambloozled, a blues dance conference! I will have spare time, though I may be in a constant state of dance-gasm.)

Until February: UNKNOWN
(Possibilities: New Orleans, Washington DC, Seattle, or parts unknown. I could visit you, if you like!)

February: Cleveland, Ohio
(Probably. I’d like to work for a socially just organization.)

Sunday, October 31, 2010

The Jam Cellar: Kings of Swing

The dance scene in Washington, DC is intense- you can dance every night of the week. If you like salsa, swing, or blues, the district is your musicbox.

In DC, I was always told about new venues from Virginia to Maryland: Charm City Swing in Baltimore, the enthusiastic college crowd at GMU or UVA, Habana Village, Cherry Hill, bars in Ballston and Clarendon… everywhere. However, I mostly danced at Glen Echo Amusement Park, the Jam Cellar, and Chevy Chase Ballroom.

If I could dance every night, I would. To me, dancing feels like nothing else, combining my love of music, connection, movement, and touch. It satisfies my extroversion and my desire for one-to-one intimacy. When I dance, I grin like an imbecile, or I close my eyes and let my face relax. Dance is so instinctive now, and so pleasing.

Please, allow me to share?



THE JAM CELLAR

The tagline for the experience is: The Jam Cellar. YOU WILL LIKE IT.

They’re right.

When John described the Jam Cellar to me as a “swing club,” I pictured a basement of dive bar near Adams Morgan: low lights, strong drinks, hardwood floors, and mega-hot follows. Not so much. (Except for the follows. They are still hot.)

In reality, the Jam Cellar is more of a phenomena than a place. The event engulfs an entire house, a beautiful 19th-century mansion with ornate iron doors and hardwood floors. Originally, the building – the Josephine Butler House -- was proposed to be the home for the vice president. It’s easy to imagine one suite as the “Master’s Study,” or “Lady’s Library,” or “Butler’s Discretionary Area.” The house borders Meridian Park, a short (and convenient) walk from U Street, Columbia Heights, and Adams Morgan.

That said, the key part of the Jam Cellar is the crowd, rather than the locale.


CROWD
The Jam Cellar hosts dances with the crème de la crème, the rock stars of swing dance. Remember listening to Zoot Suit Riot, by Cherry Poppin Daddies, back in the 90’s? Some of these folk have been dancing since then, becoming the leading teachers and most exceptional dancers around. They built this city.

Their skills attract a big crowd. The Jam Cellar offers beginner and intermediate classes at fairly affordable rates in targeted areas: subtle movements, aerials, collegiate shag, balboa, vernacular jazz steps, and ridiculous shit. I took an entire class on “Texas Tommy” variations, a position-turn move that may have started as its own vernacular dance. As a follow, classes expose me to new moves, and often make me more aware of my limitations*.

When I do dance with one of the fantastic leads, it’s pretty surreal. When you’re a beginner/intermediate kiddo, dancing with Bobby, Paul, or David is like hooking-up with Beyoncé while riding a dolphin.

There’s a certain way that super-experienced leads move that is incredibly foreign to me, a delicacy and skill that I can register, but not respond in kind.

It’s like challenging a grandmaster to a spot of chess, when you are an excellent checkers player. Mercifully, most of the grandmasters apparently enjoy an occasional game of, erm, checkers. Very enthusiastic checkers. Yes.

Even without the Beyoncé-dolphin experience, I still have a fantastic time. I'm lucky enough to dance with leads who have far more experience than I, who push me to improve. And, most importantly, they're all fantastic humans. Like, super-freakin' nice and kind.

I was always excited for Tuesday nights.



MUSIC
One thing that defines the Jam Cellar is the music selection: exclusively classic lindy tracks. No modern remakes of older songs, no Motown, no new swing music. You hear old-skool big band jazz: Louis Armstrong, Benny Goodman, and Duke Ellington (who grew up a few blocks away).

To be honest, that took some getting used to. Vintage tracks rarely have the emotional resonance for me that more modern tracks do. I know all the lyrics to Katy Perry songs, but the lyrics to most swing songs escape me. Also, I like the invention of the subwoofer. The subwoofer was made for a reason. The subwoofer makes the beat really damn obvious. And while it’s a great challenge to have to noodle out the bass from the treble, it’s nice to not have to worry about losing it.

On the other hand, it’s taught me a lot, about finding and recognizing rhythms, and learning more about the roots of swing. At Jam Cellar, I realized that I knew nothing about swing, from the origins to the revival. It made me want to learn more.



The Jam Cellar.





So go to the Jam Cellar. You will like it. Observe this video for more clarification. Hint: it is silly.

Saturday, October 16, 2010

A Letter Home

The visits to Oberlin are hard to write about – they’re too intense, too wonderful, too concentrated. This one especially so.

First: the long distance relationship dream come true -- holding the one you love and realizing that they’re real. You didn’t dream them up. They aren’t an abstraction, a perfection, an invisible friend. They’re them, and all the silly little bits of them: homework, stuffed noses, messy rooms and math tests. No bread or skim milk in the house. Terrible vodka in the cupboard.

But those unpretty parts are the best. Hell, they’re more beautiful than you remembered. You kiss the salt on their skin, you touch their shoulders and recall sculptures of Adonis or Aphrodite. You watch them move, watch them dance, and the world just feels more right.

you kiss.

you hold.

you make love.

and everything is better. everything will be alright.

everything is just perfect. you love them.

(and i do love you.)







... But it was more this time – there were other salient details. You know when the sun hits a leaf, and the glow warms the edges and you can see the veins of the leaf? And it’s no longer simply beautiful, but very, very IMPORTANT. It’s staring at the sky in early fall, and knowing that this is THE horizon. This is the earth you live in. You want to tell the world about the way that a snake hurries away from you, then looks back, invitingly, inquiringly, before darting into the brush.

It is the details.

I’ve never felt much attachment to the architecture of Oberlin – though I do like architecture, and Oberlin’s strange unplanned landscape. The trees in Tappan Square evoke a stronger awe than elegant Talcott, the sandstone Disney magnificence of Peters, or the neoclassical Memorial arch. I don’t feel flushed by Cass Gilbert, or Silsbee, or the religiosity of the Science Center. But the stillness of the Reservoir gets me, every time.

It is in my friends, who make me feel real. They give me form, structure, and a valid self. I’ve grown worse at engaging large groups, but more amazed by the comfort in sharing time with one. When I visit, I always want more time to hold hands and walk with my friend-family, from cousins to siblings. They are so beautiful and they give me so much. (My name feels safe in their mouths.)

It is Ma’ayan’s face softening, thinking about the poster, thinking about the future and the past.

Harris reading Annie Dillard aloud to me, and poems like “Aubade” written onto scrap paper on his wall.

It is Amanda straddling a log, becoming a “sex panther” with me. It is Amanda, her hand on the small of my back, moving with me to Nina Simone, her eyes insatiable.

It is Greg, self-possessed, grounded: living, teaching, and playing.

It is a Gimlet. It is a sip of Guinness. It is a glass of milk after a day of dancing.

It is muddling through the basic of West Coast Swing, trying to move on the third beat of a triplet (that probably isn’t a triplet.) It is the classically-trained instructors, and their care for each other, arm in arm at the airport.

It is Kate’s face, covered in freckles, exuding comfort and calm.

It is Mari’s knee causing her pain, but the smoothness of the workshop easing her mind. Monica’s grace. Fiona’s charm. My inability to lead them, but simply stare at their loveliness and be overwhelmed.

It is Lily’s infectious grin and incredible warmth. It is Scout’s vibrant honesty.

It is Mineh's understanding that I am an immature pervert, and the way he leads me around.

It is Ali’s goofiness, her maddeningly gorgeous eyes, and how she and Patrick joke with each other.

It is Brandi's focus behind the wheel, her integrity so clear.

Jeff Hagan’s messy desk, even with Brandi’s tidying, and his enthusiasm for my future.

A crowd dancing. The circus on a Friday afternoon. A large coffee from Slow Train. The golden tree in Tappan, and the tree that belongs to Kris.

My friends.

I love them.



Thursday, October 14, 2010

Black Coffee

We ran out of regular espresso today. After much discussion with my manager, we decided to pretend that the decaf was not-so-decaf. Let the placebo effect work for us. But it still made me nervous, so after making some fancy cappuccinos, macchiatos or espressos, I’d linger and ask how they were.

An older couple responded extremely positively. “Delicious,” he said, with a hint of an English accent. “A very full taste,” she agreed, with another, harder-to-read accent, sipping her cappuccino delicately.

I jabbered about the new Lavazza machine, and may have clowned a little, my gestures big and silly. (I wanted to demonstrate my feud with the old machine, which had a tendency to spray milk wildly.) The couple laughed, the woman’s smile vast. She was very elegant, with a clear bright smile, and big brown eyes. He was older than her.

“Where are you from?” she asked.

“Originally California, but more recently Ohio.”

“Ah,” she said. “I am from Brazil. And he is from Pakistan.”

“Wow! That’s a ways away,” I said.

“Miss,” the man asked, “how long do you think I’ve been coming here?”

This is a question I hear a lot from regulars, their favorite game with young servers. They generally lean back and reply some variant on, “Before you were even dreamed of.”

I grin nervously, and try to beat him at the game, “Before I was even dreamed of?”

He nodded. “Nearly 50 years. It was my first day in DC. I’d gotten a job with the World Bank, but I hadn’t found a place to live yet, so they put me up in the Dupont Circle Hotel. I was walking to work, and as I passed by this place, the aroma from the kitchen just… captured me. I was in a rush, so I promised myself I’d come back for dinner. I came back for dinner. And of course, the food was superb. And bless you, it hasn’t changed.

“So I came back the night after, and the night after that. At least once a week, every week of the year. I took all my friends, my family, and every girlfriend.”

His companion giggled, “So many girlfriends!”

“All of the women I wanted to be girlfriends. Sometimes, it worked out, sometimes it didn’t.”

The woman said something under her breath in Portuguese, and they both laughed.

“I even took my father, and he had a fabulous time. He was the first president of Pakistan, and in those days, he was treated like a king. He didn’t have to do anything for himself, all of the details were handled by others. And in America, of course, it was not so. And still, he loved it. He wasn’t used to food cooked in this way, and he was delighted for the whole meal. A meal for a near-king.”

The man took another sip of the cappuccino, the foam lingering a bit on his upper lip.

“But at the end of the meal, he ordered some coffee, and paused a minute after tasting it. On the table, there were five little shakers: sugar, red pepper, black pepper, salt, and cheese. My father reached out and grabbed the cheese shaker, and started tapping parmesan into his meal. At first a little, then more and more. I just stared at him as he sipped his coffee.”

He said to me, “Son, this place may have the best pizza in the world, but their coffee is wretched.”



The man tipped his cup to me, and took a long sip.





Wednesday, September 8, 2010

Phantom Family Syndrome

The Problems
i. I’m terrible at living alone.
ii. I don’t think the status quo is healthy.
iii. I don’t fit into the status quo.



i.

I’ve never lived alone before.

(Well, okay: literally, I’m not alone.

In fact, I’m very lucky – I have a room and a lovely housemate in a safe area (Crystal City, Arlington, VA). I have a job – bartending at an Italian restaurant. I have some excellent friends in my region, and many more outside of the state. My family is caring, and understands me. I have a lot of interests, and there’s tons to do. I’m improving as a dancer. I’m not broke.)

But there’s still something painful in my otherwise acceptable life: I don’t have a community.

I don’t live with a partner, or with my family. I don’t have a neighborhood. I don’t wake up next to a warm, sweet person, who tells me about their dreams. I don’t walk down the street and see friends, or acquaintances. When I want to see someone, I need to seek them out. There are random meetings, but they are brief. I don’t know enough people to create a critical mass of random-friend-encounters.

I got used to being happy.

I’m used to buying two tickets for every show. I’m used to cooking eggs for two, used to brushing my teeth while someone else takes out their contacts, used to walking to a shared rhythm. I’m used to having a reason to read aloud. I’m used to hugging more than 20 people a day. I’m used to grinning and tackle-embraces, and the ease of total trust.

I've lived in Oberlin for 5 years. I've been in relationships, with only a few months of single-ness, since I was 14. Nearly a decade.

I miss my karass, and my many little duprasses. I miss the way every member of my friend-family laughs. I am missing many limbs: I have phantom-family syndrome.

Phantom Family Syndrome is draining, even for little ol' extroverted, optimistic me. Vacant little me. I need to push myself to do things. I need to build up my own momentum– I can’t count on my friends to push me onwards and upwards. A life without positive feedback loops is hard. There’s just me.

A lone girl in a new city.

Between Johnny and my friends, this summer was nearly perfect. I started to love friends I’d never had the time to properly appreciate, both in Oberlin and DC. I was never unhappy. Every day was a wash of joy. Each day, I woke up smiling, and fell asleep contented. I had the spikes of happiness, and the long calm of joy. If you sampled my blood, it would be as happy-sweet as maple syrup.

Then, the fall winds started up, and the flock dispersed for different climates. After so much ecstasy, I'm left with no serotonin.

Losing John hit hard, especially coupled with losing my immediate friends. It was a nuclear winter after the terrible first blast. The heart is vaporized, and the body grows lifeless.

I got used to feeling so warm all the time. The cold creeps in so easily now.

Monday, August 30, 2010

Definition: The Ones You Really Love

What do you call the people you love?

How do you define a relationship? Does that definition change when they’re not around?

What do you write on your love letters, or casual notes? Does it change based on their gender, or on yours? What happens if you’re not monogamous? How do you indicate that a person is a very close friend? How do you make distinctions between friends and lovers?

In short: what are your terms of endearment?


i. How do you define your relationship?

On my last run, I thought about all the names I call my special friends, both lovers and platonic. Words to indicate commitment and care, loyalty and intimacy, support and adoration. Words that I say to prove to someone that they are special, to let them know that I love them, and cherish them, no matter what.

THE ISSUE
I hate a lot of the standard terminology. I don’t like terms that are very possessive or gendered. I like words that imply intimacy and commitment.

Attempts:

- “Significant other” is too sterile.

- “Beloved” is cheesy and archaic.

- “Boyfriend” and “Girlfriend.” Gut reaction: I don’t like being called a “girlfriend,” or calling anyone my “boyfriend” or “girlfriend.” Bad associations. Veto'd.

- “Friend” isn’t strong linguistically enough. Too broad. “Good / Close / Dear friend” and other modifiers get it better. “Best friend” is very close to what I need for about five people.

- “Lover.” I should like the term lover, but it doesn’t imply (to me) that a person is special, or that there’s any aspect of commitment or prioritizing. To me, a lover offers a only sexual relationship, and I’m sappy enough to want more.

- “Limerent object” is too obscure and hopeless. Mutuality is not implied.

- “Apple of my eye” is too unreal, too idealizing.

- "Hook-up" or "fuck buddy" isn't classy.


THE BEST:
“Partner” is non-gendered, non-exclusive, personal, egalitarian, and loving. I like the ambiguity and the implied companionship. I like being a dance partner or a partner in crime or a business partner.

-




ii. What do you call your lover to their face (or their inbox)?

Well, besides their name. I like to give people nicknames, pet names, things that fit them better than their given titles. I want someone to know -- from just their name, and how I say it -- that they are impossibly special.


THE LIST OF ADORABLE NICKNAMES

Honeybee
Mon petit / ma petite chou
Dearest
Nightcrawler
Cuddlefish
Sweetpea
Little un’
Honey-bunny
Thailand
Clyde / Bonnie
Babe
Foxhole buddy
Adonis
Love
Kupo
Buttons
Japan
Buckles
MOSAD (Most Special and Adored)
Flower (a la Bambi)
Penny
Panda
Duckie
Faun
Cuddles / Snuggles
Anchor
Sweet one
Bestie
Wonderland
Lotus
Beautiful
Germany
Mittens
Dance partner
Invisible friend




So what do you like? What do you like to be called, and what do you like to call others? I want to know.


Love,
Aries

Wednesday, August 11, 2010

Love, love, love

Facts:
1. I am very happy.
2. I am a good waitress.
3. I am in love.
4. I have amazing friends!
5. I am aligning my priorities.
6. Everything is changing all the time, especially my luck.


*

Elaboration:

I am in love. I am very happy. I have a priority, a person. Johnny.

We spend a lot of time together, and have become companions. I am being a really shitty friend to my DC accomplices, and am sad about that, but my besotted state will only persist for the next two weeks.

When I was a kid, I marked off my height against the kitchen door in pen, with the date next to the escalating number. To encourage me, my parents showed me their numbers of getting taller and taller (which they fabricated). And I got confused. I correlated height with age – I thought I would just get taller, and taller, until I died.

One day, I would grow so large that I would no longer be able to fit through the doorframe. I would lay helpless and enormous in the living room, slowly starving to death. My giant form would dwindle to enormous bones. Alice doesn’t make it to wonderland.

I see the shelf life on this relationship, the expiration date when my affections swell, spilling out of my organs and in my marrow. It will seep into my blood, like some gorgeous sepsis. My heartbeat will skip and falter. The writing is on the door.

In two weeks, the relationship will be (mostly) over.

And dammit, I love this boy. I’ve passed from a mega-gross squee-fest to a more sedate, stable, but constant pulse of affection and care. I say we reflexively. The idea of being separate for the last two weeks of summer was unimaginable. Every time I see him, other things fade to monotone and sepia. His skin is satin, his ideals are vivid. I want him, constantly and intensely. It’s hard to get out of bed, to leave the warmth of our bodies. It’s hard to stop holding him in the morning. It’s amazing to wake up and realize I can hold onto this crazy dreamboy, and not have him slip away into dream-dust-in-the-eyes and bleary disappointment. Wonderland.

I will be different in two weeks. I will drink too much, sleep too little. More career-focused, more individualistic, a better friend. I will cry. My enormous form will dwindle.

The background will grow fruitful again, and I’ll be able to pick out the beauty of the fall as the incredible warmth of summer recedes. And I’ll visit Ohio to find that warmth again. I'll get the warm-and-fuzzies for Oberlin all over again.

But for now? I’m in love, dammit. I’m going to enjoy it. It’s a priority.

Sunday, July 4, 2010

The Newest Transplant to Washington, DC

I just moved to Washington, DC.

Though each item has a bit more detail, the basic TO DO list is this:

1. Get a job.
2. Get a place to live / sublet / rent.
3. Take chances.

If you would like to assist me in any way with these tasks, that'd be very much appreciated.




I fit the contents of my life in a suitcase, 2 shoulder bags, and a backpack. There are 4 small boxes in UPS storage, and 3 small items in Brandi Ferrebee's storage area. That's all I own. That feels good. There will be less and less of it, as time goes on.

The things that matter most are my laptop, cell phone, mp3 player, and a children's book called "Love is A Special Way of Feeling."

After hours of packing, with the great patience of Brandi, we left Oberlin at 10:30pm to arrive in Brandi's home just-outside-of-Winchester, VA at 4:30am. It's fascinating, to see a home, as opposed to a house. Brandi's family built the whole thing, and when they get old, they'll convert the downstairs office to a bedroom. There's something beautiful in that commitment.

Right now, I'm not so clear on life commitment. I'm excited to be free, to be living and working, and taking chances and having adventures.

I don't know where I'll be after the summer. If I get a year-long job, that will dictate this year, but if I don't, I'll be wild and mobile. There's a whole world, and I want to learn about it. I'll visit Oberlin -- it's where my friends are. I'll try to visit the rest of you, wherever you are, if you'll have me. If you'd like to reach me, the best bet is my email: aries.indenbaum@gmail.com.

And when I have a place, I love guests. I want to be a good host.

I was happy to see Lilly, Matt, Sandhya and Anna, and also what they represent: being able to be connected with my friends. The act of running into people at a subway stop. In the car with Ma'ayan and Brandi, I realized how much I trusted them. How I filtered nothing, and didn't think about our relationship as a game, or something where I had an objective, but natural. Comfortable.




This year at Oberlin has been good for me in many ways. Though it's not as learning-centric as student life was, it taught me good lesson. I learned values, not vocabulary. Mostly from my friends. I don't have a strong sense of external value-passing: I'm not affiliated with any church, I have a small family, and no strong roots to a given place. I've learned a lot from my parents' values, but I love learning from my friends: their generosity, their bravery, their loyalty, their honesty, their ambition.

I'll have done it right if my tombstone says, "She was a good friend."

Sunday, June 13, 2010

Shaved

Almost a year ago, I shaved my head.

Over spring break, I lived in an abandoned elementary school, working for an anarchist group that was gutting homes in New Orleans. On the top level of the school, Katrina refugees had written messages to God on the chalkboard as the waters rose. They were airlifted out, but the chalkboard still read, “We trust in You, let us live, Jesus.” and in a child’s scrawl in pink chalk, “I love you, Lord.”

We slept in the downstairs classrooms, on green cots, lined with plastic to prevent us from catching lice. Around the school, we all wore bandanas and caps, hiding our natural hair, just in case. We looked like converts to a new religion, with our similar headscarves, our muddy, reeking clothes, and our tired bodies. We only took off our bandanas at night, when we went to the French Quarter and pretended to be a normal spring break.

But bandanas notwithstanding, I got lice on my last full day. Before dinner, the nurse filed through my hair, her gloved fingers tugging and pulling. She looked apologetic when she handed me a bottle of chemical shampoo, pointing me towards a private shower in the gym. I stood in the gym shower for over an hour, washing, combing, and picking through my hair, pulling tufts of hair onto the wet tile floor. I felt infirm. My scalp was cold. There was so much hair on the ground.

On the 17 hour ride home, wearing two hats and feeling like a leper, I debated shaving it all off. At home, that would be unthinkable. No woman shaved her head. Girls in my high school straightened, toasted, toasted and drowned their hair into a lovely chemical shine. Hair took time. Extreme, artificial care was the definition of beauty.

I want people to like and trust me, and I was afraid that shaving off my hair would make people mistrust and think less of me. Strangers would think that I was a skinhead. My boyfriend would dump me. No one would dance with me until I looked like a woman again.

Then, when I came back to college, I realized how much college wasn’t home. No one would make fun of me here. My boyfriend had long hair, and given our close contact, it would be hard not to contaminate him or something he owned. Shorthaired women weren’t rejected: here, they played rugby.

Despite my use of the nit-killing shampoo, I still felt the lice burrowing into my scalp when I showered. Worse, my hair felt dead. Battered and abused, it hung limply past my ears, thinned on top. It was a strange mop of fiber, not another limb of my body, the way it used to feel. For most of my life, I had long hair, falling down past my butt, a dark brown color. It was one of my very few sources of pride, as I’ve never been a very pretty girl. My hair stood out, it was old-fashioned and ungainly, but somehow lovable. I could be a damsel.

The night before spring break officially ended, I decided to shave it all. After setting down a plastic bag tarp, I started chopping with construction scissors as my boyfriend took photos. After I only had odd tufts of hair poking up, my boyfriend shaved the rest. It felt amazing. I felt as though each inch of scalp was laden with millions of nerves that the razor was delicately tickling. And it stayed like that.

When the hair grew back, it was silky soft, impossible not to stroke. The hair grew fast, thick, and darker than before. Each morning, I looked like a different person. I felt more open, I felt more alive. The windows were opened and the ceiling was peeled away. I was myself, in ways I can never describe.


(March, 2007)

Wednesday, February 3, 2010

My first Bohemian

On Saturday, I went to the Bohemian in Cleveland, to get mah swing dance on with Ms. Brandi, Mr. Burrows and Mr. Spenser. Had a fantastic time -- I'd no idea what to expect. I pictured a nightclub in the sleazy part of Cleveland with large cocktails in frosted cups. In reality: Bohemian National Hall was a ballroom of Sokol's Czech Cultural Center in "Little Bohemia." Apparently, "the not-so-great side of Cleveland" has a lot of Czech culture.



It was a sweet venue. The downstairs was filled with Czech goods and the ballroom itself was enormous. The Demetrius Steinmetz Band was good, their featured vocalist, Eileen Burns, was great. They played the classics, and though their slow songs lacked the sauce, they did a solid "T'ain't What'cha Do" and a great cover of Nature Boy. Apparently, Nature Boy is a pop-jazz standard, not just a David Bowie song on the Moulin Rouge soundtrack. Regardless, the song made me feel 14 again, belting out my feelings in my living room. Singing along is something new. I like it.



Pro:
- The posse! Brandi, Stephen and Danny are all brilliant humans. We had 4 singalongs on the way back. It was fantastic. I don’t know Danny as well, and getting to dance with him a lot was swell. Having Brandi more prevalent in my life has made Winter Term better. And Stephen has been an excellent work-to-life companion.

- Wooster kids! They were super-cute. A lot of them did basic steps that were syncopated differently, or just moved differently. Lots of big arm motions. Very interesting style.

Cons:
Surprisingly-Touchy Guy. Tall dude in his 40's. Kinda stiff, and strange to dance to. Didn't make much eye contact. We danced twice, which was a poor move on my part. I'm a fan of closeness-- slipping into bluesy-forms is awesome. But I don't want your hand on my butt on a swing floor. Cupping my ass is not where your hand should be. Also, trying to kiss me twice in one song is not good. Yes, swing does bring out the preposterous love-monkey in me, but only in my age-demographic. If you're able to run for president, than I'm far less interested.


Fascinating late-night:
Especially after swing dancing for hours and feeling my endorphins percolate my body, I kinda want to cuddle. And keep dancing. Blues enables this.

Much like swing, I feel nervous with it, as I’m still not technically proficient, but I love it. Technical blues dancers are lovely, but frustrating: at the end of the night, I’m tired. Absurd moves not ingrained in my muscle memory are difficult. Following is hard when your leg has been twitching for the last hour. Given the close nature of it, I feel more wretched when I botch blues than swing.

But non-technical blues? Sexy-blues? When we’re one writhing mass on the floor? That, my friends, is IT. Feeling a stranger move my hips with theirs is the most sensual way to say hello.

The late-night started as tech-blues. It ended with sexy-blues. There were these four awesome leads with great chill attitudes, wry wit, and about 10 tons of eroticism. They were openly emotionally affectionate. They were comfortable with their bodies. It felt like being with circus people. Or like family.

Sunday, January 31, 2010

Where do I go?

In a few months, I'll be moving. I need a job. But where? And what? I begin to ponder. All comments beloved.

I Dream About:

NOrleans
Seattle
Austin
Portland
SF
Big Cities in Europe


That Could Be Cool:
DC
Boston
Philly
Pittsburgh
Ann Arbor
Northampton
Cities in the SW
Cities in CA
College towns
NYC
MOST CITIES OUTSIDE THE STATES.


I like warm cities that are weirdo friendly. Points for a music community, low-cost of living, less terrible unemployment, and hella dancers. Small cities are cool too. Got a clue?

Saturday, January 23, 2010

That Alumni Interview

For some reason, I've never described my own Oberlin interview. This strikes me as peculiar, as I wrote this snazzy entry on things to do when you interview. But never about mine.




The Interns Prepare: Natalie and I, clinking coffee mugs and water bottles before a day of interviews.



On my college tour, I had a slew of unpleasant interviews. One alum wrote down what I said word for word, in a way creepily similar to Rita Skeeter. One student interviewer told me not to apply to her school; another only asked bizarre questions. One interviewer, an admissions officer, pulled up my file and started going through my academics, quizzing me about grades and classes.

But my worst was the weekend before my Oberlin interview. I'd had a terrible interview for Illustrious College*. My interviewer, a criminal lawyer, was deeply unpleasant. For an hour, he talked about the difficulties of his life, then quizzed me on the Iraq War.

He mispronounced my last name in three different ways: Indebam / Inderberg / Aydeenboom. In. Den. Baum. In, like Inn. Den, rhymes with hen. Baum, meaning tree, as in "O Tannenbaum" or L. Frank Baum.

It annoyed me a bit.

Worse, his office was boiling. Even before he started talking about Iraq, the sweat oozed off my forehead. Somehow, he was still wearing a blazer. I'd long-since slipped mine off, and was debating taking off my overshirt, but I didn't want to look tacky. Was the time for clothing removal over? Would he assume that I was making some cheap pass at him?

While we discussed elections, bombings and his quest for admission to Illustrious College's Well-Renown Law School, I wondered if I should subtly start talking about my interests. Should I mention to a lawyer that I did Mock Trial? Should I somehow tie this topic to academics and my great AP Government class? Should I ask pointed, hopeful questions about Illustrious College? Was I going to drown in my own sweat?

He asked me, "But what do you think about the relevance of the electoral process in third-world nations? I don't think it's possible. It's just not a part of their culture."


In the car ride home, I sunk into the seat.
Aries: That was awful.
Mom: Did you say something stupid?
Aries: No, it just... I don't really want to go to Illustrious College now.
Mom: You can't judge a whole school on one person. They can't all be jerks.
Aries: But he was supposed to be a representative! And he was a self-centered [several very obscene expletives deleted] jerk!
Mom: He's also been out of school for a while. It's probably not the college, it's him.




Two days later, I was scheduled to interview for Oberlin. Given the last experience, I was worried. The interview was at the Friends Seminary, a Quaker school in NYC.



The Friends Seminary! 222 East 16th Street, for all you New York types.



The day was bitterly cold. On the way over, my mother and I stopped at two different pharmacies to warm up. To give context: my mother is from Norway *. They invited Vikings, Svalbard, and endless winter. Even my mother, with her Viking-blood, thought the New York City wind was a bit nippy.



Svalbard, one of the only places Norway colonized. Note the closeness to the North Pole.


Once I entered the Friend's Seminary, every muscle relaxed. The space was warm and cozy, with canary yellow walls dotted with childrens art. Big signs that said OBERLIN! lead the way to a lounge, filled with anxious students, parents, and a few admissions folks.

Even after a few minutes to thaw, I still couldn't feel my feet. Gingerly, I asked one of the admissions folks, "How cold is it in Ohio?"

"Well," she said, "It's not worse than this."

"Oh," I sighed. 'Svalbard,' my toes whispered.

"Would you like some coffee?" she asked.

"Yes." I replied. Cream. Splenda. Stir.

When the official alum talked to someone else, I scoped out the waiting room. As I'd dressed for the cold, I hadn't really thought to dress shmancy. I was wearing a nice tee-shirt, but also my normal goth pants. And green military boots. Happily, most of the other applicants didn't look too fancy: nice and casual, without being very preppy.

Generally, the college waiting rooms unnerved me. Like an actor at a casting call, I would look around, wondering how good my competition was, continuously aware that said competition might become castmates. Must be friendly, but not too friendly.

But this time, I felt more relaxed. The boy next to me was reading Zadie Smith. The girl across from me was studying for AP Chem-- I recognized the textbook.

"What unit are you on?" I asked.

She grinned ruefully, "Everything, technically. We're doing a practice AP on Tuesday."

"Shit," the boy said, looking up from his book. "That's awful."

We all started talking and didn't stop until we each got called for our respective interviews.






My interviewer was Peter, an alum who worked in the restaurant business. He smiled easily.

For the first time, after about 12 interviews, this was actually a conversation. For the first twenty minutes, we talked about cooking. And dining. And music. And why people do foolish thing. He was a fascinating guy -- completely self-effacing, funny and snarky. Strangely enough, he actually seemed to think that I was interesting too.

We joked about building a time machine... to create time. Just more and more of it. In little sugar packets you could drop into tea or coffee, so your day would stretch out more and more, until all the time-sugar was gone. Also, a music-language scrambler, so that all pop music would sound like Cirque du Soleil soundtracks.

Though I still minded my p's and q's, I didn't feel like he was judging me. He didn't take notes. He didn't ask for my GPA. We were just chatting. Even though we sat in tiny plastic desk-chairs, made for 7 year olds, I felt incredibly at ease. When Peter described Oberlin, it sounded like a painter talking about his favorite work. While it wasn't the most precise photo, the spirit was there exactly.

He even pronounced my last name correctly.

"Was that everything you wanted it to be?" he said, mostly seriously.

"Yeah," I said. "I didn't realize I had a say."

When I got back to the waiting room, I high-fived my mom, who was talking to Chemistry Girl's father. When we left, it felt a lot warmer out.








Notes:

* As mushy as this is, my parents were huge forces in my college search. If my Mom loathed a school, I probably didn't want to go. If my Dad was hopeful, then I was hopeful. As Mom's an immigrant, the whole process was literally foreign to her. Dad never finished college, so picking a good school seemed even more important. We all learned about the crazy process together.

Also, I'm an only child. If I didn't succeed, who would?


* Illustrious College is a liberal arts college located in Genosha. Its graduates win Watson, Fullbright and Rhodes Scholarships, they have an excellent Politics department and a history of winning armed conflicts. Sadly, I was waitlisted at Genosha.



Sunday, January 10, 2010

Dancing in NYC

From Christmas until New Years, I went out nearly every night dancing. These are my notes.



Brazen Fox
A classy sports bar in White Plains. Good for fans of football, Jersey Shore or Armani Exchange. Also, having long talks about friendship and relationships with one's best friend (and an awesome friend of hers).


Calico Jack's Cantina
Club-bar. Patrons take myspace-pictures of themselves, sipping enormous neon-colored cocktails through giant staws. Pop music. Girls in tight jeans, boys coated in hair gel. I was glad I brought earplugs. Not too classy, but not too sketchy. Not really my place, but I liked the company.



The Players Club for New Years Eve's Eve
The Player’s Club was ridiculous: a historic building on Gramercy Park. Old world classy, portraits on the walls. One large dance hall with sticky floors, always filled with dancers. Intimidating. Matching their surroundings, the crowd was very glamorous. The men wore suspenders, and sharp hats.

But the ladies were a class above. Tiny flowers woven into their hair, their dresses showed just enough flesh to entice. Their make-up was flawless: eyelashes extravagant, brows shaped, lips lined and glossed. In their fancy shoes, they all hung within the acceptable rage of 5’4” to 5’9.” And worst of all, they exuded class, grace, and femininity.

While I have good points, refinement is not one of them.

I wore my black tennis dress from the previous night. My bangs were poking upwards. In my yellow converse sneakers, I stood over six feet. I only applied a bit of make-up. Even before dancing a step, I felt a bit warm, the sweat collecting.

I saw Shawn. As gorgeous as ever, if not more so. Suddenly, I realized how much I missed her. We hugged and spoke. She introduced me to her friends, whom I enjoyed and danced with. One of them was a total tease, the kinda guy I become bros with.

After dancing with me, he said, “God, I’m sweatier than a Ukrainian!”
“So true!” I said, “I’m Ukrainian!”
“Ah, I’m so sorry,” he panicked. “I’ve never actually met one before.”
“It’s cool— we really are that sweaty.”


The dance floor was packed, bodies flying everywhere to George Gee's tunes. Though there were more of the younger set, the older folks were the large majority. I danced with some good folks and saw some terrible burlesque.

Well, not terrible. But I’m spoiled. A tap dancing girl in a skimpy outfit is charming, but Catherine had more skill and fantastic showmanship. This girl just didn’t sell it. I miss you, Catherine. And not just when you’re Shirley Temple and I’m the zombie after your heart.

The other one sold it, but I didn’t want what she had to buy. She was on the older side, doing feather fans, with a rather unfortunate outfit.

I was very, very happy when George Gee started playing again.


Connolly's
Stupidly, I didn’t write down the cross-streets, just the address, leaving me wandering around midtown on one of the coldest days of the year. Fortunately, with the assistance of two boys working at a bodega and three of their customers, I found my way. When I finally saw the venue, it was obvious. Connolly's was huge, with a bar on the main floor and the dance floor on the third floor. It was strategically placed near a number of Broadway theaters, so if one needed some liquid encouragement before, after or during a show, it was close.

The dance floor at Connolly’s was big, but packed. While it wasn’t as stuffed with bodies as Banjo Jim’s, dancers absorbed every space. I’ve never really danced in crowded quarters before, so I started to be more aware of where my body was in space. The band was fantastic, dressed in colorful vintage wears. There were three leads around my age; everyone else was much older. One of them was pretty good: when I closed my eyes during a swing out, I could pretend it was John. Almost.


Amanda and I share a deep love for older gents, mostly due to contra. Though younger dudes treat me with polite disinterest, but older gents think I’m the queen of France. Complimentary as this is, I do miss the speed of younger dudes. Older folks jacked style from other types of dance: tango spins, salsa holds, ballroom attitude. Only the younger ones felt like swing dancers, really feeling the music for what it was.



Swing 46
Not really what I expected, both in showing and style. Boilermaker Jazz Band is one of the few swing bands I’ve hear of, so I was expected a big showing of younger folks. Not so much. Like Sophia’s, there were lots of tables, making it hard to see who was really there to dance, and who was to listen. Over the past few months, I’ve gotten over any fears of rejection. While I struck out a few times, I managed to keep dancing for most of it.

Only one sketchball. Vastly outweighed by dancing with the Boilermaker’s drummer during set breaks.

And again, I saw Shawn, which made everything lovely. Seeing her was the highlight of the night.



Club 412
Club 412 convinced me to go dancing from now until forever. There were three dance studios, two live bands, lots of great dancers. Many were older and liked dancing with younger ladies. Slidey floors.

An equal number of follows and leads, and as most ladies were not aggressive, and dudes were shy, I could dance with whomever I wanted. Everyone there was very friendly.

An ancient, tiny Venezuelan guy, Andres, looked at me, and said, “Do you salsa?” I gave my head a wiggle. Kinda. He replied, “Well, then I’ll teach you.” We went to one of the other studios, and he lead me around.

Later on, Carlos, a younger guy, taught me how to cha-cha. Though the basic was different than the cha-cha Nora taught me, it wasn’t too difficult, until he started adding turns. “Thanks for being so nice!” I said, catching my breath when the dance was over. “Well, I like dancing with you,” he said, “and I wanted to cha-cha. Figured this was the easiest way.”

I left coated with sweat, my hair spiked and slick, as if I’d just gotten out of the shower.


Cache at Sofia's
I heard that Vince Giordano, who made the soundtrack for Ghost World, was playing here. The venue was huge, but the term “club” seemed false. The space was covered in tables. The crowd was old, mostly seated. The music, while good, was very… period. Not very funky. I didn't want to pay the cover and left.



Banjo Jim's

Check it:
http://www.youtube.com/watch?v=jD9nD8ltRNs&feature=related

This was the band I saw last night, Cangelosi Cards, at Banjo Jim's. The video does not do it justice -- their singer is sick, they all play three instruments. They did everything from old-school jazz, to gospel, and blues. Lucy's recommendation was very successful. Tara and Lucy met me there. There's something wonderful about friends who you can clown with.

It was crazy crowded in there. Though it was only 20º outside, it felt a 120º in there. I felt a wee tad claustrophobic and started talking to the dude next to me (Richard), who was really charming.

Aries: Is it generally this packed?
Richard: It varies. Last week? Empty. Week before that? Full.
Aries: Aw, man, there's no space to dance.
Richard: Wait, you dance?
Aries: Yeah! Do you?
Richard: Yeah! Lindy hop.
Aries: Sweet! That's so great!
Richard: How long have you been dancing for?
Aries: About three months. And you?
Richard: Um. Nine years. ...Don't worry, I'll go easy on you.
Aries: But how do we dance in here?
Richard: Here's the codeword: floorcraft. Unless you know bal.


And then, we danced.

Monday, January 4, 2010

New Year's Eve: The Epic Adventures

My new year started with fire.

Sadly, my New Year’s Eve had no such luck. I started the eve in East Williamsburg, Brooklyn. In a warehouse.

For every previous New Year’s Eve, I chilled with my high school friends, whom I rarely see. While said parties are nice, that wasn't what I wanted this year. It’s the end of a decade, the decade of high school and college, when I (mostly) grew up. I wanted to go to a real, raging party. Fortunately, I heard of at least 60 options. Cross-listing by coolness and price range, my friends Desiree and Cal chose New Lost City.

The description of New Lost City reminded me of a Mucca Pazza party-- the venue featured three brass bands. Also gypsy funk, techno, "hobotech," crazy jazz, and circus. 9PM until 7AM.

I got incredibly excited, of course. Brass bands _and_ techno? Perfect.

When I got off the L train, my path intersected with a pack of circus folks, carrying hoops, poi, and staves. I grinned, thinking they’d be super-friendly, and tried to chat them up. They replied in monosyllables and monotones.

But no worries, I thought.

In my head, I imagined New Lost City as a giant open space with a large stage where the brass bands would be kicking ass. The crowd would be fun, tipsy and dancing. Not so.


After paying, I walked around the space, which was a set of warehouse units, separated by a block covered in slush. There were about six performances spaces most of which were on separate floors, connected only by the fire escape stairs. The first time I climbed the stairs, I felt elation, seeing over all the rooftops into the hazy distance. As the stairs became more crowded, the allure faded.

None of the bands were playing.

Some spaces had DJ’s rocking out, but the crowd seemed aversive to movement. They stood around, drinking, talking and texting. What were they waiting for?

In the second space, a block over, I checked my coat. Might as well get comfortable, I figured.

The coat check dude and I spoke for a few minutes, mostly about how much it sucks to work tonight, dealing with drunk impatient folks who don’t understand organization. He was sincere, charming and already a little bit tired, his eyebrows semi-permanently raised. I tipped heavily.

The band space was completely empty. The lobby of the second room had a wheel of fortune, with a barker wearing tight pleather pants, body glitter and goggles. I crowd-watched for a minute. It was an odd mix of normies, hipsters and the burner crowd.

I saw someone who looked like Basil, his face angular and confident. I felt an overwhelming urge to walk up to him, or one of the other dudes with facial piercings and hug them, screaming, “Ignore the pearls and the black dress! I’m one of you!”

There were circus people, but it seemed in poor form to ask one of them if I could spin their props to vent. And while they may have been circus people, they weren’t one of my beloved carnies.

I looked at the clock. 10:40. Cal and Des were arriving at 11:30. The worst kind of loneliness is when you're in public, totally surrounded by people, but still completely alone.

My mood tanked.

I called Yoshi, and spilled my thoughts. Yoshi, as ever, was deeply supportive and caring, despite my crazy insecurities. Alright. I would make the best of it.

On the line to get back in, a drunken couple stopped making out and started fighting, seemingly instantly. When I took a step back, the person in back of me pushed me back. I sighed and called John. No response. I left a cheerful message.

The rooms were filling fast, guests holding (and spilling) cans of PBR and Stella. A twee boy spilled his drink on my back as we crammed into the dance room. He glared at me, his pinched cheeks covered in glitter.

The DJ was good, I realized, though so loud that I plugged in my earplugs with more furious precision than ever. I started to groove. It was slightly salsa-flavored, and the light were all bright red, deepening the white walls. For a few minutes, the space seemed warmer.

The boy next to me moved frenetically, and we made eye contact after we kept accidentally kicking each other. He had blue eyes. At some points, we’d purposely kick each other’s feet, ska-style. Then, his girlfriend came back from the bar, passing him a can of Miller. Beer in hand, they started to grind.

The boys next to me were fairly drunk, screaming the words to the song buried beneath the techno. The dark-haired one moved against my back, which was somehow comforting until he grabbed my hips and pulled me closer. When I tried to spin around, he kept me firmly in place. He reeked of cigarettes, his fingers were fat, and he didn’t grind with the beat. At the end of the song, I pushed away from him, gesturing to the door, yelling, “It’s really hot! I need water! Bye!”

He followed me into the hallway, where I explained, “I have to go!” and “I think it’s too warm in here.” He didn’t really seem to get anything except the phrase, “Look, I have a boyfriend.” Then, he left in a hurry.

The hallway was jammed. “Maybe the bands are playing now,” I hoped, the last bits of optimism clamoring for attention. On the fire escape, I heard one of the party organizers say to a bouncer handling the congestion, “We need you by the elevator, immediately. I’ll take care of this area.” “Sure,” the bouncer said. Despite my best interests, I was curious, and took a minute to duck back in.

“Get him under control!” a man screamed. The crowd drew back and a muscular dude, flanked by two bouncers reached out, pushing and punching and kicking. About five feet from me, he dropped to the floor, spasming, and the bouncers picked him up, carrying him away.


I decided to get the hell out of there.

Jon Good. Standing, miraculously, on the second floor landing. I screamed and hugged him. You know that profound, exuberant relief you feel when you see your significant other after weeks apart? That sense of, “God, everything is okay now. A person I trust is here.” I nearly cried.

He had a posse with him: cool Obies who I like, but don’t know as well. I convinced him to bail with me to go to the other space, where I had my bag and coat. We crammed out and walking in the slush, I felt triumphant. A long, thick line wove around side of the warehouse and down the block. And waiting in front of the door, off the line, were Cal and Desiree. They looked fantastic: Cal like a steampunk David Bowie God of Rock, Desiree like an Old English Master of Grooviness. I hugged with furious thankfulness.

Cal and Des are my heroes.


At Oberlin, they produced “Over Her Dead Body,” an “independent, black and white, student-produced, -filmed, -edited, -acted, and -scored lesbian zombie-vampire silent horror film.”


As grads, they’re superheroes. By night, Des works for The Nature Conservancy; by night, she has crazy adventures, with costumes, dancing and shenanigans all across Gotham. Cal is probably the most badassed person to ever live. Since graduating, she’s worked across the rural Northeast, raising awareness for the environmental effects of coal mining, and played professional women’s football.

After joyous greetings, we said:
“I don’t want to stay.”
“This line is ridiculous.”
“It looks impossibly packed in there.”
“Great,” I said, “I’ll go get my coat and bag!”

I did not expect the coat check line from Hell. While earlier, we had cued up in a neat line. Now, a crowd bulged around the tiny doorway. As Kevin said, it was more packed than a clown car up Hitler’s ass. I thought about the coat check dude, who had looked nervous hours ago. It was 11:45.

Though I hate line-cutting, I squished in at the front, behind a super-tall impatient man, who was exerting 6’4’ of importance on the crowd. I was jammed beside a couple bitching about how spending this moment in line was an audacity. Since high school, I’d never had my person around for New Year’s. I wondered if having them around would’ve redeemed this shindig.

‘Please don’t leave!’ I texted to Cal.

At 11:55, I got to the head of the line. The coat check dudes were going a mile-a-minute. The younger one, with the scared eyes, nodded his head when he saw me. “Miss,” he said to the girl next to me, “You’ll have to move back, there’s no space.” She shrieked, “They’re pushing! I can’t go anywhere!” The other one saw my number, and got me my clothes.

“This is crazy,” he said to me; I nodded furiously and said, “I have no idea how to get out of here.” He gestured me to follow him. We walked through the back of the coat check, past rows of scarves and heavy parkas. Each garment was packed tight, like a laundromat. I thanked him repeatedly.

In the back room, I saw the circus folks practicing, some soaking their props. If I hadn’t been so rushed, I’d have sneaked to see what system they were using. Can take the girl outta the circus, but can’t take the circus outta the girl.

As I left, I heard one of the circus folks yell, “Get the fuck out of the way! This shit is going to be on fire!”

And there was Cal, Des and Jon, waiting where they said they would, at the end of the sidewalk. “I didn’t think you’d stay,” I blathered. “I mean, it’s nearly…”

“Oh hey,” Cal said. “11:59…. and… Happy New Year!”

And it was. We sang Auld Lang Syne (Jon harmonized) and as I was breathing, feeling calmer. There was still a huge line behind us, snaked around the warehouse. In the open air, the party-goers seemed less threatening and obnoxious. Just silly for waiting.

Yelling behind us, and a rush of bodies running to the street, bearing poi and staves and torches. One of them poured a line of clear liquid across the street, dropped a match and ignited a trail of fire. The group lit up and started to spin, right in front of us.


Fire. The best way to start the year.

I cried. The happy tears. Everything was okay. The fire spinners weren’t very good, but they were honest, and they reminded me of home. Of friends and lovers, of performing and perfection. Of Yoshi, Liz, Izzie, Ma’ayan, Amanda, Basil and Jim. Of warm spring nights and crowd control. When I wiped the tears away, there were more.

The night blurred together in a happy montage: leaving with Cal and Des, dancing in a smoke-filled, gay-friendly goth club. Military Fashion Show. Mad World. My phone dying. Cal’s grin, Des’s sleepy smile. Creepy giant latex-covered man-devil approaching me. Me, having learned my lesson from the previous giant latex cat-boy, rebuffing him. All-night diner. The folks next to us asleep in their booth. Peach crepes. Company. Happiness.

The 5:30AM train. Sleep. A new year. It took a long time to come.

Sunday, January 3, 2010

Squee Mix

Squee Mix
(for Amanda)


Note: Squee is the noise you make when your arteries clog with joy.

01 All I Want Is You [cover] - Vespers
02 Friday I'm in Love – The Cure
03 The Party's Crashing Me - Of Montreal
04 How Do You Sleep – Jesse McCartney
05 All For Swinging Around You – New Pornographers
06 Who Could You Get (To Love You) - The Dependables
07 Might Tell You Tonight – Scissor Sisters
08 Jolene - White Stripes
09 My Wicked Way – Ben Taylor
10 I Put A Spell On You – She + Him
11 Why Don't You Do Right - Amy Irving
12 I Fall in Love Too Easily - Chet Baker
13 West Coast - Coconut Records
14 Haven't Met You Yet - Michael Buble
15 From Here To Eternity – Brian Setzer
16 Sukie In The Graveyard – B+S
17 I Belong To You (+Mon Coeur S'ouvre A Toi) - Muse


Ask, and I'll make you a copy!